La MaMa Blogs

Tuesday, January 6, 2015

Video Preview: O JARDIM (part of Under The Radar)


Companhia Hiato, founded by director and playwright Leonardo Moreira, is considered one of the most promising and talented theatre collectives in Brazil. The award-winning company has toured to Holland, Germany, Chile, and Colombia. They bring their O Jardim to The Ellen Stewart as part of the Under The Radar Festival.



La MaMa and Under The Radar present
O JARDIM
by Companhia Hiato

January 7 - 11, 2015

The Ellen Stewart Theatre
66 East 4th Street
(Between Bowery and Second Avenue)
New York, NY 10003

Tickets: $25

For Info and Tickets: CLICK HERE

Monday, January 5, 2015

6 QUESTIONS: INCOMING! - James Harrison Monaco

Jerome Ellis (right) and James Harrison Monaco (left). Photo credit: Jim Byrne

James Harrison Monaco and Jerome Ellis will present AARON/MARIE, a high­ speed literary and live music spectacle, as part of the Under the Radar Festival's INCOMING! Series, in the First Floor Theatre at La MaMa, January 10 at 5:30pm and 10pm, 2015. 

We asked James about collaborating, helping audiences imagine and literary inspiration.

1. How do the multiple narratives in AARON / MARIE speak to, or frame, each other?

I would say AARON/MARIE is like a collection of short stories, where when you finish it you say to yourself, "Oh, maybe that was actually a novel." Like Winesburg, Ohio by Sherwood Anderson, or the longer books of Roberto Bolaño. The same characters keep popping up in each section of the show, and by the end there is definitely an arc to the action, but we celebrate the sense of losing yourself in the tangents throughout.

2. When did you first begin collaborating with Jerome Ellis, and how do you influence each other as artists? 

Jerome and I have been collaborating on music, performance, writing, storytelling, theater — what have you — for almost a decade. (In fact, we grew up together at the same schools in Virginia Beach, Virginia since we were nine or ten.) Jerome is the other half of my brain and heart. We are constantly in conversation about music and history and literature and the Metropolitan Museum of Art and travel and performance and life and love, and this show is basically a slice of that conversation on stage (with gorgeous original live music included).

3. Your performances use language and music to engage the audience's visual imagination. How do you create an environment that encourages this kind of listening?

I would say our music especially helps the audience listen calmly, think critically while having fun, and drift with confidence. The idea is it's like the live performance version of reading a great, exciting, smart modern novel. Jerome's style especially is at once energetic, intelligent and meandering... acoustic and electronic, forward-moving yet spacious. Also we take great influence from contemporary(ish) writers who have a music to their prose: Thomas Bernhard, Javier Marías, Joan Didion, Sergio Chejfec, Fleur Jaeggy, Bolaño, Primo Levi, Yoko Tawada, Isak Dinesen, Enrique Vila-Matas, César Aira...

4. How have your directors Rachel Chavkin and Annie Tippe influenced AARON / MARIE?

They are who make it exciting to watch, and be present for, as an audience member. They are the editors of our sprawling style. They keep it from being insular, and they take the poetic interworkings of the music and storytelling and make them poetic in their physical life — major props on this also go to our designer, Joe Cantalupo. All three of them have been present almost since day one of this project (two and a half years ago), so at this point their obsessions and senses of humor are as present in the show as Jerome's and mine.

5. Which artists in the UTR festival are you most excited to see -or- Can you tell us about a recent performance you saw that inspired you creatively?

We are excited to see all of them. Especially all the INCOMING! artists, between whom I couldn't choose. But in particular among the whole festival: Mariano Pensotti (whose last UTR show I still think about all the time), Cia. Hiato, Agrupación Señor Serrano, Daniel Fish, Taylor Mac...(all of them).

6. What does working at La MaMa mean to you?

It means performing in a space I have been thinking about since I was a teenager in Virginia, imagining the magical world of experimental New York theater. And in a space where I have seen work that defined my idea of what performance could and should be. We are so honored to be here.

(Interview by Sam Alper)
____________________________________________________________________________



La MaMa presents:

INCOMING! - JAMES HARRISON MONACO & JEROME ELLIS: AARON/MARIE

January 10, 2015 | 5:30pm & 10pm


Co-presented by Under the Radar Festival and La MaMa
Directed by Rachel Chavkin and Annie Tippe

First Floor Theatre @ La MaMa
74a East 4th Street
(Between Bowery and Second Avenue)
New York, NY 10003
Tickets: $18 Adults; $13 Students/Seniors.

For Tickets and Info: CLICK HERE

EiLeen Doster's WAVES AND WATERLINES @ La MaMa Galleria


“I live 2 blocks from the East River. My studio at The Brooklyn Navy Yard has a fine view of the traffic on the river. This work was also created on the New Jersey coast over several summers. I am never far from the sea or the river and Hurricane Sandy was a reminder of that. These communities of which I am a part have witnessed the destructive force of rising water. Our world struggles with water issues daily; access to water as a human right, fracking, plastic in our seas, and the taxing of water. On the other hand, water is a source of sustenance, a sacred source of joy! ”  

- EiLeen Doster




La MaMa presents
EiLeen Doster's
WAVES 
AND 
WATERLINES

La Mama La Galleria
47 Great Jones Street
(between Lafayette and Baowery)
NewYork, NY 10003

January 8 though January 25, 2015

Gallery Hours 1:00pm to 7:00 pm
Or by appointment

Opening reception Thursday, January 8, 2015
6:00 to 8:00 pm

Saturday, January 3, 2015

6 QUESTIONS: Martha Tornay

photo: Robert London

Martha Tornay, artistic director of the East Village Dance Project, has brought her alternative East Village Nutcracker, THE SHELL-SHOCKED NUT, back to the Ellen Stewart Theatre at La MaMa, January 2-4, 2015. Conceived and directed by Tornay, the production features dancers ages 5-65, including 25 East Village Dance Project student dancers and 25 professional performers, artists, composers and choreographers. In the middle of all this, Martha found time to answer our 6 questions.

1. What inspired you to adapt The Nutcracker, transforming it into the story of a war-veteran and a child exploring The East Village?
At our school, East Village Dance Project (EVDP), the week after Superstorm Sandy, teens in my upper level ballet class urged me to teach them a section of the Nutcracker to lift their spirits. In contrast with the disorienting and stressful experience of the previous week, the familiarity of the music and challenge of learning the dance material felt both cathartic and joyful.

2. How do the professional dancers respond to performing with young students (ages 5-17) and vice-versa?
Most of the professionals are long time friends and collaborators. They are participating with full knowledge of my desire to have students at EVDP experience working with professionals as a part of their education. I scheduled enough rehearsal time with the professionals and students together for the students to see how; at all ages and levels, we are all working hard to have this production make the stage. It warms my heart to see the smiles of the professionals watching the students, and vice versa.

3. Who are your guest artists/performers and what are some of their contributions to The Shell-Shocked Nut?
My concept is to invite rotating guest artists each year to add an element of Divertissement, as in the 2nd act of the traditional Nutcracker. Just to mention a few:
- Billy Blanken and I met years ago and have worked on several projects since. It's a joy to work with such a talented and dedicated dancer.
- Dante Brown is EVDP faculty, and a talented choreographer. He is a generous mentor to these young dancers.
- Hilary McDaniel-Douglas is a childhood friend. We've been creating together for over 35 years. She is director of her own company and school in New Mexico.
- Justin Hicks and I met working together on a project seven years ago. We have amazingly creative brainstorms. I look forward to a full piece collaboration someday.
- Peter Jones and I have worked together in a ballet class setting at Bates Dance Festival for several years. I've been a fan of his compositions for a long time. Peter's live music has elevated the whole production.
- Ryan Carroll is a professional dancer that I've know socially for several years. In our first rehearsal together for this project I realized we had a chemistry to create at a very advanced level, and laugh along the way.
- Rachel Kramer is the mother of one of our students. I've seen her perform in several productions and I wanted to give her a platform to express herself within the subject matter of this production.
- John Gutierrez is a former student of mine from NYU Experimental Theater Wing. Last year he started attending ballet classes with me at EVDP. His talent and dedication inspired me to create his role in SSNut.

4. How has the East Village Dance Project evolved since its founding in 1997?
I began with a handful of students and we now has over 80 students enrolled. The first few years all my students were under age 8. As they grew and developed as dancers, the program developed to meet their needs. To the existing ballet and modern classes we added choreography, pointe and teen company classes. Until four years ago we were renting studio space by the hour for the school. Four years ago we opened up our home, Avenue C Studio. Having a studio allows us to meet the needs of a pre-professional student dancer and have rehearsals to develop productions like THE SHELL-SHOCKED NUT.

5. Does teaching dance influence your work as a choreographer?
First and foremost I consider myself a teacher. Most of the choreography I do is to nurture the development of the student in front of me.

6. What does working at La MaMa mean to you?
I was involved in several productions as a performer at La MaMa over 25 years ago. Even though I came from a classical ballet background I was drawn to the courageous experimental productions I was a part of, and the other productions I was able to watch. That experience is a large reason I do what I do now. Mia Yoo and Nicky Paraiso presented EVDP at La MaMa Moves a few times, and we love being part of that. The idea to co-produce THE SHELL-SHOCKED NUT seemed a logical step for all of us. To have my students and my colleagues come together for this production at La MaMa is an honor.

____________________________________________________________________________












La MaMa presents:

THE SHELL-SHOCKED NUT

January 2-4, 2015Friday - 7pm / Saturday - 3pm & 7pm / Sunday - 3pm



Conceived and directed by: Martha Tornay (Artistic Director, East Village Dance Project)
Co-director: Victoria Roberts-Wierzbowski (East Village Dance Project)
Presented in association with GOH Productions.
Choreographers: Martha Tornay, Victoria Roberts-Wierzbowski, Andy de Groat, (1978 work set by Catherine Galasso), Brian Glover, Dante Brown, Hilary McDaniel-Douglas, Teddy (Boonyarith Pankamdech), Rachel Kramer
Performed by: 25 youth performers (age 5-17) from East Village Dance Project, and 25 professional dancers and performers including a host of East Village luminaries and guests.
Guest performers/artists include (as of November 1, 2014): Alice Klugherz, Amikole, Billy Blanken, Calla Cumi Jo, Dante Brown|Warehouse Dance, John Gutierrez, Justin Hicks, Patrick Leader, Peter Jones, Project in Motion, Rachel Kramer, Ryan Carroll, Shar La Porte, Angel Flores, Lauren Mendoza, Inam Jiemvitayanukoon, Melanie Gallo, Iman Barnes, Gwendolyn Baum, Jen Roit, Lauren Evans, Ann Duffy, Kiki Williams
Music by: Tchaikovsky, Clare Farris, Peter Jones, Duke Ellington, Stevie Wonder, David Lowery
The Ellen Stewart Theatre
66 East 4th Street
(Between Bowery and Second Avenue)
New York, NY 10003
Tickets: $18 Adults; $13 Students/Seniors.


For Tickets and Info: CLICK HERE 

The Shell-Shocked Nut in the news!



The New York Times' Gia Kourlas on The Shell-Shocked Nut:

"The East Village has a “Nutcracker” of its own and, fittingly, it’s on the gritty side."

Read the full article HERE

EV Grieve did a great photo essay on The Shell-Shocked Nut:

"This nontraditional take on the holiday mainstay includes a magical journey through iconic locations such as Tompkins Square Park, CBGB, a tenement apartment, a local community garden and a neighborhood favorite – Economy Candy."
 
Read the full article HERE

...and DNA Info said The Shell Shocked Nut was one of 6 things to do this weekend:

"Of all the city's "Nutcracker" adaptations, East Village Dance Project's "The Shell-Shocked Nut" may be the most original and the most cathartic. Delve into themes of loss and homecoming at this contemporary send-up of the classic ballet, with a soundtrack featuring Stevie Wonder and Duke Ellington as well as Tchaikovsky."

Read the full article HERE 


La MaMa presents
East Village Dance Project's
THE 
SHELL-SHOCKED 
NUT
Conceived and directed by Martha Tornay

January 2 - 4, 2014
Friday @ 7pm; Saturday @ 3pm and 7pm; Sunday @3pm

The Ellen Stewart Theatre
66 East 4th Street
(between Bowery and Second Avenue)
New York, NY 10001

Tickets: $20 Adults; $15 Students/Seniors

For Tickets & Info: CLICK HERE