6 Questions for Sean Donovan of LEMON GIRLS OR ART FOR THE ARTLESS

Photo by Nicolas Calcott

Sean Donovan is an actor, dancer, writer, choreographer and director. His recent plays include Cabin (Bushwick Starr), and The Reception (HERE Arts). Sean has been nominated twice for BESSIE Awards for Outstanding Performer. He’s worked with Heather Christian, Faye Driscoll, Miguel Gutierrez, Jane Comfort, The Builders Association, Witness Relocation, John Jesurun, and many others.

Sean Donovan is the choreographer for Talking Band's Lemon Girls or Art for the Artless, written by OBIE and Drama Desk Award winning playwright and composer Ellen Maddow and directed by Paul Zimet. There are four more performances in the Downstairs Theatre this weekend from March 24–27. Tickets can be purchased here.

1. Who and what has inspired you?

I take inspiration from so many different places. I’m inspired by boundary pushing artists whose work defies easy categorization. I love choreographers like Miguel Gutierrez and Jack Ferver to name a few. I love music artists like Anohni and Justin Vivian Bond.  People who make me laugh but can also open a wound in your heart.

2. How would you describe your work as a choreographer?

I make choreography out of everyday social behavior, elevating the gestural language to a heightened state to call attention to its rhythm, timing, and emotion. And I use dance as a means of storytelling but break from traditions of musical theater or narrative dance, drawing on forms of postmodernism and contemporary performance.

3. How did you come to collaborate with Talking Band?

I had seen the Talking Band’s work for a number of years and has always been a huge fan. We came to work together when old friends and longtime collaborators Abigail Browde and Michael Silverstone (Co-Artistic Directors of 600 Highwaymen) recommended me to Paul and Ellen of the Talking Band.  We were both familiar with each other’s work and after just one meeting I think we could tell it would be a great fit. 

4. What can audiences expect from these performances?

They can expect smart, profound, hilarious writing and direction from longtime experimental theater creators. They can expect to see older bodies invigorated with life and vitality and a story that tries to ask questions of personal value and how we process grief. And they can expect choreography that charts a journey of self-discovery and embodiment through both humor and earnestness. 

5. What are your upcoming plans for 2022?/What are you looking forward to?

I’m currently performing in Heather Christian’s incredible new music work entitled Oratorio For Living Things premiering at Ars Nova which I’m thrilled about. I’m also collaborating with Taylor Mac on Taylor’s newest work, Bark of Millions. And I’m writing a new play!

6. What does working at La MaMa mean to you?

It means so much to me. I’ve worked at La MaMa more than almost any other theater in New York going back 20 years from my days with the downtown dance theater company Witness Relocation. It’s very much an artistic home for me.

Photo by Craig Lowy

La MaMa presents

Lemon Girls or Art for the Artless

By Talking Band
Written by Ellen Maddow
Directed by Paul Zimet

March 11 – 27, 2022

The Downstairs 
66 East 4th Street, basement level
New York, NY 10003

Thursdays – Saturday at 8PM
Sunday at 4PM

Tickets:

Adults: $25 in advance; $30 day of show
Students/Seniors: $20 in advance; $25 day of show