La MaMa Blogs: October 2018

Wednesday, October 17, 2018

Congratulations to Jane Comfort and Company




Congratulations to Jane Comfort and Company! 

Jane Comfort and Company received the 2018 Outstanding Revival Award for the company's 40th Anniversary Retrospective at La MaMa.

Everyone at La MaMa is also pleased and grateful for this sweet, lovely and overdue recognition for an incredible retrospective of a very talented company.














ABOUT THE BESSIESThe Bessies were established by David R. White in 1984 at Dance Theater Workshop to recognize outstanding work in choreography, performance, music composition and visual design. Nominees are chosen by a Selection Committee comprised of artists, presenters, producers, and writers, which this year is comprised of Ronald Alexander, Elise Bernhardt, Diana Byer, Tymberly Canale, Alexis Convento, Leah Cox, Parijat Desai, Maura Donohue, Boo Froebel, Angela Fatou Gittens, Diane Grumet, Brinda Guha, Joseph Hall, Irene Hultman, Celia Ipiotis, Koosil-ja, Matthew Lopez, Matthew Lyons, Lydia Mokdessi, Harold Norris, Craig Peterson, Doug Post, Rajika Puri, Susan Reiter, Ali Rosa Salas, Walter Rutledge, George Emi?lio Sanchez, Andrea Snyder, Carrie Stern, Risa Steinberg, Sally Sommer, Kay Takeda, Catherine Tharin, Muna Tseng, Eleanor K. Wallace, Martin Wechsler, Adrienne Westwood, and William Whitener.

Responsible for setting policy and providing ongoing oversight, the 2018 Bessie Awards Steering Committee is comprised of Cora Cahan, Beverly D'Anne, Lane Harwell, Jeanne Linnes, Stanford Makishi, Nicky Paraiso, Carla Peterson, Paz Tanjuaquio, Laurie Uprichard, and Sylvia Waters.

Tuesday, October 9, 2018

Story of the Week: Aaron Landsman's Language Reversal


The Language Reversal Process: How can technology be integrated into the aesthetic and artistic process of a theatrical experience?

Language Reversal will feature Serbian theatre collective, Kulturanova, performing in the Ellen Stewart Theater. In August, the realities of US immigration policy and visa denials threatened the show’s timeline, forcing its director Aaron Landsman to re-conceptualize the entire piece. Now, La MaMa will be presenting the collaborative work-in-progress, in partnership with video design from Culturehub that utilizes interactive live-feed video technology from artists and audiences in Novi Sad and New York.


Click here to see the process:




Language Reversal

Presented by La MaMa
with co-commissioning support from ASU Gammage
Written by Aaron Landsman

A Workshop Presentation

October 12th - October 14th, 2018

Ellen Stewart Theatre
66 E 4th Street; 2nd Floor
New York, NY 10003
For tickets and more information: CLICK HERE

Press Roundup for KINK HAUS



Final weekend of KINK HAUS nearly sold out! See what the press are saying about Gunnar Montana's "brutal underground nightclub where no f*cks are given"

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“It was just like ‘Rose’s Turn’ from Gypsy,” commented an attendee after the show in response to a brilliantly illuminated “FAGGOT” sign that flashed to the beat of Bonnie Tyler’s “Holding Out For a Hero” during one of the numbers.

By Matthew Wexler. Full post HERE


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Their runway intro prepares us for a panoply of “costumes on acid” to come, along with hair colors and makeup that would make a drag queen jealous. How about a queer version of “Joseph and the Amazing Technicolor Dreamcoat” backed-up by “Dreamgirls” as envisioned by Ru Paul?  

By Steve Nardoni. Full post HERE

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BWW Review: KINK HAÜS at La MaMa is a Rad, Dizzying Spectacle

 "This joyous celebration of queer identities is so uplifting and powerful that you can actually feel the soul and bones of the East Village reverberating its message through the walls of the theater."
By David Clarke. Full article HERE

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"Kink Haüs is most successful when it digs deepest and mines the potential of the human body as living art"

By Richard Patterson. Full article HERE


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Kinky Glitter Boots

"...the show is a kinetic swirl of movement that grabs you and doesn’t let go"


By Michael Musto. Full read HERE

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"The propulsive mix of sound and movement and dazzling exhibition of lighting, costume and prop design is nonstop."

By Dan Dwyer. Full article HERE

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"...an attention-grabbing, joyful gender-romp that is athletically choreographed and a visual smorgasbord ..."

Full read HERE


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KINK HAUS EXTENDED THRU OCT 14!

Tickets HERE








Wednesday, October 3, 2018

74A East 4th Street Ground Breaking Ceremony



"La MaMa Experimental Theatre Club (ETC), the Off Off-Broadway theatre that was the recipient of the 2018 Regional Theatre Tony Award, celebrated the official groundbreaking of its upcoming renovation September 25.

The groundbreaking launches the season with the company’s first-ever capital campaign project: the renovation of their first home, a landmarked building at 74A East 4th Street.

This will mark the first restoration since the building was constructed in 1873. The space is being re-imagined by Beyer, Blinder & Belle which is working with theatre consultants Jean-Guy Lecat and Charcoalblue."

Thank you to everyone who attended the Ground Breaking Ceremony on September 25th:

Jeff Haley, Mary Fulham and Scott Wittman

John Jesurun and John Kelly

Kevin and Josephine Tarrant of the SilverCloud Singers


Manhattan Borough President Gale Brewer

City Council Member Carlina Rivera


Amy Surratt, Alice Griffin and Sophie Glidden Lyon

Joan Rose and Frank Carucci

Ozzie Rodriguez


Click here to get involved in the future of La MaMa!


After more than 50 years of intensive use as theatrical space, by more than 100,000 artists and audiences of all nations, cultures, races, and identities, our building must undergo urgently needed renovations and be made ADA accessible if it is to remain a viable resource for the next generations of artists and audiences.
You, our artists, audience members, and supporters, are at the heart of La MaMa. We hope you will help us to restore and remake this building as a creative home for new artists, new work, and new ideas for decades to come.