La MaMa Blogs: 2019

Friday, January 18, 2019

6 Questions: Sean Lewis

1. How would you describe the show in your own words?
For me it's the mix of the intensely personal mixed with the super broad topics of 'dystopia' and 'cult' and 'genre' - this project has been for me about going as hard as I can into story and genre and thinking like I'm writing a tv show - not because that is my goal but that helps me dislodge the trap of trying to write the next great play, and we can just get on with working and the tasks in front of us.

2. How does this show intersect with the other MAGIC AGENCY pieces you've done?
The work is chaptered and episodic, as opposed to serialized. You come in anywhere and get a complete experience. That said this will be the sixth hour of content (maybe more) we have created and shown throughout the city since June 2017. This one is proving to be blast and it is to me the introduction of the star Unique Jenkins. When we met to read and see if she was right it was so confounding and wonderful for me. She just flipped the script and I haven't looked back. You gotta see it and see her!

3. What role does the cult play in this series?
Well I grew up in California in the 70s so somehow these issues are near me. I watched the Jim Jones movie on tv with Powers Booth and it scared the hell out of me, and went when I was real young to a very cult-y church that I stopped going to at 12 (Joseph Smith Mormons) when they asked me for money to build the spiral temple. I remember sitting on the couch looking at the men asking me and I was pained not to laugh. So you know its fun! It is the collision of the good and the bad. these people come together for reasons that are human reason- warmth and comfort and loneliness etc., so it's a great human place. Everyone gets it I think. Certainly Americans

4. Where does the name Lilac come from?
The first piece I did in NYC was a work called "Just Another Cowboy in Steinland" the work performed in its entirety and as written / in order ROOMs by Gertrude Stein from Tender Buttons. There is a line in the piece "Nothing aiming is a flower, if flowers are abundant then they are lilac, if they are not they are white in the centre."  It bounces in my mind constantly today. I knew that was the name. For a while we coupled it with St. Johns (the church we made plays in in Brooklyn).

5. What has it been like working with Unique Jenkins?
Amazing. She teaches me something daily. So on point and the way she shows up for the work is inspiring

6. What does working at La MaMa mean to you?
Going home. Being able to breath. Being myself

January 31 - February 03, 2019
Downstairs | 66 East 4th Street

$25 Tickets; $20 Student/Senior Tickets [+$1 Facility Fee]Run Time: 55 Minutes (No Intermission)

For Tickets Click HERE

Thursday, January 17, 2019

La MaMa in the News

Oscar Perry Abello writes about La MaMa's Capital Project to renovate the historic 74 East 4th Street theaters:

"Phase one of the capital campaign involves a $17-million renovation of La MaMa’s building at 74 E. 4th Street, its first permanent home, which Ellen Stewart acquired in 1967. Most of the current 10,500 square-foot structure dates to 1873 and some parts of the building are much older than that. The cost covers a restoration of the fa├žade to its original appearance, a completely new first-floor lobby, a revamped club-style second floor theater, and a conversion of the third and fourth floors (which once housed the theater company’s offices as well as Stewart’s personal residence) into indoor and outdoor spaces for youth and community programming. A new elevator and other tweaks will make the building 100-percent compliant with the Americans with Disabilities Act."

"...this particular block of East Fourth Street has found ways to defend itself against the dark arts of real estate investors."

Tuesday, January 15, 2019

2019 La MaMa Meet-Ups Scheduled!

Every season, La MaMa holds Meet-Ups for artists to meet with La MaMa Curators to talk and pitch ideas.  Each Meet-up lasts for 15 minutes and artists can bring work samples, or just chat with curators in the areas of: Theater, Dance, Visual Arts, Poetry, Kids Performance, Puppetry and Play Readings!

The next La MaMa Meet-Ups will be held on Wednesday, February 27 from 2pm - 4pm in the Ellen Stewart Theater at La MaMa.

Reservations are required and they book quickly so reserve your space now!

Click here for more info and to reserve a space:  CLICK HERE

Friday, January 4, 2019

La MaMa Alumni are Working (It) this January!

It's January and festival season here in New York and lots of La MaMa Alumni are working (it) all over the city.  

Here's a sample:

James & Jerome, who were seen at La MaMa with their show Piano Tales (November 2016), are performing their newest site-specific new piece, INK: a piece for museums, at The Metropolitan Museum of Art this weekend as part of the 2019 Under The Radar Festival.

INK: a piece for museums
January 5-6, 2019
part of the 2019 Under The Radar Festival
For Tickets & Info: Click Here


Peter Mills Weiss (La MaMa Alum from 2015 with MAKE PEOPLE Parts 1 & 2) has created a new work with and Julia Mounsey.  Titled: [50/50] old school animation, the piece flirts with the horrific and dips into the surreal and is also  being performed as part of the 2019 Under The Radar Festival. 

[50/50] old school animation
January 4 - 13, 2019
part of the 2019 Under The Radar Festival
For Tickets & Info: Click Here


Jesse Freedman and  Meta-Phys Ed.’s THE TALMUD is a genre-bending performance that will premiere at The Exponential Festival at The Doxsee in Brooklyn.  Based on the Talmud and Kung-Fu films, THE TALMUD is about the transmission of ancient traditions and sacred wisdom across generations; from teacher to student and master to disciple.  Meta-Phys Ed was last seen at La MaMa with Jew vs. Malta in 2016. 

January 10-13, 2019
part of the 2019 Exponential Festival
For Tickets & Info: Click Here


Also part of the Exponential Festival, performer Chris Ignacio (seen at La MaMa in works by Theodora Skipitares, Loco 7 and more) will appear in What Holds Heat's very intimate Duet-ed at Vital Joint, every Friday in January (4, 11, 18, and 25) from 12pm - 6pm - six consecutive hour-long performances, starting at the top of each hour. Duet-ed Friday in January (4, 11, 18, and 25) from 12pm - 6pm

part of the 2019 Exponential Festival

For Tickets & Info: Click Here 

And John Gutierrez (seen at La MaMa in Conquest of the Universe, Pylade and CultureHub's Hi-Fi | Wi-Fi | Sci-Fi) is performing in This Bridge Called My Ass at The Chocolate Factory as part of American Realness. In the piece, six Latinx performers map an elusive choreography of obsessive and perverse action within an unstable terrain of bodies, materials and sound. This Bridge Called My Ass January 9 - 19, 2019 part of American Realness For Tickets & Info: Click Here

Thursday, January 3, 2019

Spend 2019 at La MaMa!

“The work of these artists continues to move me, and in these challenging times, there is an urgency for the questions and issues they provoke to go beyond the walls of the theatre.” 
-Mia Yoo, Artistic Director

We are pleased to announce new performances through June 2019! 

Brooklyn United Live! is a high-octane, one-of-a-kind drum and dance corps
comprised of 33 Brooklyn public school youngsters ages 5 to 17

New this Year!
Join La Mama today for as little as $55!

No service or exchange fees
Choose shows at your convenience
Special discounts on concessions
Exclusive access to programming and special events
Get to know the artists of tomorrow today