La MaMa Blogs

Wednesday, April 11, 2018

La MaMa Alumni: Kate Bornstein & Ty Defoe on Broadway


La MaMa Alumni Kate Bornstien seen at La MaMa in Squirts and On Men, Women, and the Rest of Us and Ty Defoe seen at La MaMa in Ajijaak on Turtle Island just this past February, have joined the cast of  Second Stage's production of Young Jean Lee's Straight White Men on Broadway.  Kate and Ty join an amazing cast that includes Josh Charles, Armie Hammer and Tom Skerritt.  Anna D. Shapiro directs.

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Second Stage presents


By Young Jean Lee
Directed by Anna D. Shapiro
With Kate Bornstein, Josh Charles, Ty DeFoe, Armie Hammer, Tom Skerritt

It’s Christmas Eve, and Ed has gathered his three adult sons to celebrate with matching pajamas, trash-talking, and Chinese takeout. But when a question they can’t answer interrupts their holiday cheer, they are forced to confront their own identities. This is one white Christmas like you’ve never seen before.

Click Here for a special La MaMa discount on tickets: BUY TICKETS

Tuesday, April 10, 2018

BroadwayWorld: La MaMa & The Assembly Extend SEAGULLMACHINE



La MaMa & The Assembly Extend SEAGULLMACHINE World Premiere

"La MaMa, in association with The Assembly, announced today that the world premiere of SEAGULLMACHINE will extend through May 5, 2018. SEAGULLMACHINE is created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes"

Click here to read the full article on BroadwayWorld

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La MaMa in association with
The Assembly presents 


Created by The Assembly 
Conceived by Nick Benacerraf 
Co-directed by Jess Chayes & Nick Benacerraf 
Text by Anton Chekhov, Heiner Müller, and The Assembly 

 April 14 - May 5, 2018 

The Ellen Stewart Theatre at La MaMa 
66 East 4th Street 
(between Bowery and Second Avenue) 
New York, NY 10003 

Tickets: $30 Adults; $25 Students/Seniors; first ten tickets to every performance available for $10 each, advance sales only, as part of La MaMa 10 @ $10 ticketing initiative 

For Tickets and Info: CLICK HERE

Monday, April 9, 2018

6 Questions: Edward Bauer

Photo by Marina McClure


Edward Bauer is part of the cast of The Assembly's SEAGULLMACHINE and took time out from rehearsals to answer our 6 Questions about making theater, his dream role and working at La MaMa. SEAGULLMACHINE begins performance Saturday, April 14th and now runs through May 5th.


1. Who do you play in SEAGULLMACHINE?
Medvedenko, Chekhov's downtrodden and oft-forgotten peasant schoolmaster.

2. The play asks “What’s the good of making theater anyway?”  How would you answer that?
-I tend to think, at this point, that tightly knit and empathetic communities are the only things at all likely to save us from the currently overwhelming torrent of consumerist and technological alienation that we live and breathe in cities like New York and L.A. I've never been a part of any community as rich, creative, and caring as the ones that emerge out of theater's creation.

3. Do you have a preference: Anton Chekhov or Heiner Müller?
It hardly seems fair (to either playwright) to pick an arbitrary favorite. If you'll forgive the cliché, it's like comparing apples and orange paint peeling off the bathroom walls of a Crimean apartment complex -- peeling imperceptibly, at first, then sloughing off in great viscous gobs, sweating and slipping and cold. You are the paint. The General peers through his sighting-glasses, finger hovering over the switch. You are the paint, UND DIE FARBE WAR NIE WIRKLICH ORANGE, DU WIRST ZUSTIMMEN. Sorry, what was the question?

4. Do you have a “dream role” or a favorite role you've played?
I've always wanted to play Tupolski, in Martin McDonagh's THE PILLOWMAN.

5. What is the last good book/play/film/art exhibit you’ve seen/read?
I recently had the joy of seeing my fellow cast member Ben Beckley in the national tour of SMALL MOUTH SOUNDS, all the way across the country in L.A.! It was a funny, surprising, deeply humane piece of art, stuffed full of joy and pain and achingly loud silences.

6. What does working at La MaMa mean to you?
It's a real joy to be working in such a locus of theatrical history.

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La MaMa in association with 
The Assembly presents 

SEAGULLMACHINE 

Created by The Assembly 
Conceived by Nick Benacerraf 
Co-directed by Jess Chayes & Nick Benacerraf 
Text by Anton Chekhov, Heiner Müller, and The Assembly 

 April 14 - May 5, 2018 

The Ellen Stewart Theatre at La MaMa 
66 East 4th Street 
(between Bowery and Second Avenue) 
New York, NY 10003 

Tickets: $30 Adults; $25 Students/Seniors; first ten tickets to every performance available for $10 each, advance sales only, as part of La MaMa 10 @ $10 ticketing initiative 

For Tickets and Info: CLICK HERE

Thursday, April 5, 2018

La MaMa Alumni: Target Margin Theater's PAY NO ATTENTION TO THE GIRL

Photo by: Emon Hassan for The New York Times

Target Margin Theater, seen at La MaMa with EGYPT (1992), Objects Lie on a Table (1993) and Young Goodman Brown (1995) now have their own space, The Doxsee in Sunset Park, Brooklyn, and a brand new show: PAY NO ATTENTION TO THE GIRL.

Directed by Artistic Director David Herskovits,  PAY NO ATTENTION TO THE GIRL is an interlocking set of tales about the deceptions of the sexes, tales within tales, that lead us deep into the labyrinth of The One Thousand and One Nights.  



The show just got a rave review and a Critics' Pick by Ben Brantley in The New York Times so this is a great time to check out NYC's newest venue and the latest work from Target Margin Theater!  PAY NO ATTENTION TO THE GIRL runs through April 21, 2018.

For More Info: CLICK HERE


Wednesday, April 4, 2018

6 Questions: Anna Abhau Elliott

Photo by Kate Fry

Up next in our 6 Questions with the cast of SEAGULLMACHINE is Anna Abhau Elliott. Anna took a break from rehearsals to talk about making theater, Chekhov vs. Müller and working at La MaMa. SEAGULLMACHINE begins performances on Saturday, April 14th in The Ellen Stewart Theatre. Don't miss this exciting mashup of two iconic riffs on the Hamlet story – Anton Chekhov’s The Seagull and Heiner Muller’s Hamletmachine.

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1. Who do you play in SEAGULLMACHINE?
The wonderful Masha.
2. The play asks “What’s the good of making theater anyway?”  How would you answer that?
Depends on the day, of course. But today it's because it's extremely difficult and fun to make a play and to watch one. Having fun in a group of people creates a social space where we all make it work together. It's good practice for other parts of life, where being creative, honest and kind isn't always welcome.
3. Do you have a preference: Anton Chekhov or Heiner Müller?
Anton and I go way back. I was so captivated by Russian history, literature and theater that I studied abroad at the Moscow Art Theatre, where it all went down. Heiner is new to me, and also so devilishly opaque that it can be disorienting to read his text. But actually, the more I learn, the more it cracks me up, and the more fun it becomes.
4. Do you have a “dream role” or a favorite role you've played?
Osric.
5. What is the last good book/play/film/art exhibit you’ve seen/read?
Fred Armisen's "Standup for Drummers" special. It was deeply honest, surprising, and didn't force any laughs.
6. What does working at La MaMa mean to you?
It's been on the bucket list since college, baby! I'm very proud to join a long wonderful list of experimenters. Thanks for having me.

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La MaMa in association with 
The Assembly presents 

SEAGULLMACHINE 

Created by The Assembly 
Conceived by Nick Benacerraf 
Co-directed by Jess Chayes & Nick Benacerraf 
Text by Anton Chekhov, Heiner Müller, and The Assembly 

 April 14 - 29, 2018 

The Ellen Stewart Theatre at La MaMa 
66 East 4th Street 
(between Bowery and Second Avenue) 
New York, NY 10003 

Tickets: $30 Adults; $25 Students/Seniors; first ten tickets to every performance available for $10 each, advance sales only, as part of La MaMa 10 @ $10 ticketing initiative.

For Tickets and Info: CLICK HERE